{"id":57777,"date":"2026-08-27T20:57:45","date_gmt":"2026-08-28T02:57:45","guid":{"rendered":"https:\/\/contextoanalisisperiodistico.com\/index.php\/2026\/08\/27\/gobernador-de-oaxaca-visita-muestra-de-tamayo-nieto-y-toledo-en-cdmx\/"},"modified":"2026-08-27T20:57:45","modified_gmt":"2026-08-28T02:57:45","slug":"gobernador-de-oaxaca-visita-muestra-de-tamayo-nieto-y-toledo-en-cdmx","status":"publish","type":"post","link":"https:\/\/contextoanalisisperiodistico.com\/index.php\/2026\/08\/27\/gobernador-de-oaxaca-visita-muestra-de-tamayo-nieto-y-toledo-en-cdmx\/","title":{"rendered":"\u200bGobernador de Oaxaca visita muestra de Tamayo, Nieto y Toledo en CDMX"},"content":{"rendered":"<div id=\"fb-root\"><\/div>\n\n<p>\u2022 Exposici\u00f3n \u201cTamayo, Nieto, Toledo. Los a\u00f1os en Par\u00eds\u201d, muestra que re\u00fane m\u00e1s de 100 obras de estos grandes artistas oaxaque\u00f1os<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2026\/08\/img-20260827-wa01146885309306561132065-768x1024.jpg\" alt=\"\" class=\"wp-image-57775\" srcset=\"https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2026\/08\/img-20260827-wa01146885309306561132065-768x1024.jpg 768w, https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2026\/08\/img-20260827-wa01146885309306561132065-225x300.jpg 225w, https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2026\/08\/img-20260827-wa01146885309306561132065-1152x1536.jpg 1152w, https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2026\/08\/img-20260827-wa01146885309306561132065-1024x1365.jpg 1024w, https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2026\/08\/img-20260827-wa01146885309306561132065.jpg 1200w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2026\/08\/img-20260827-wa01118304808267912397919-768x1024.jpg\" alt=\"\" class=\"wp-image-57773\" srcset=\"https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2026\/08\/img-20260827-wa01118304808267912397919-768x1024.jpg 768w, https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2026\/08\/img-20260827-wa01118304808267912397919-225x300.jpg 225w, https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2026\/08\/img-20260827-wa01118304808267912397919-1152x1536.jpg 1152w, https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2026\/08\/img-20260827-wa01118304808267912397919-1024x1365.jpg 1024w, https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2026\/08\/img-20260827-wa01118304808267912397919.jpg 1200w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2026\/08\/img-20260827-wa01126737685504876001637-768x1024.jpg\" alt=\"\" class=\"wp-image-57776\" srcset=\"https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2026\/08\/img-20260827-wa01126737685504876001637-768x1024.jpg 768w, https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2026\/08\/img-20260827-wa01126737685504876001637-225x300.jpg 225w, https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2026\/08\/img-20260827-wa01126737685504876001637-1152x1536.jpg 1152w, https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2026\/08\/img-20260827-wa01126737685504876001637-1024x1365.jpg 1024w, https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2026\/08\/img-20260827-wa01126737685504876001637.jpg 1200w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2026\/08\/img-20260827-wa01131887512059543250013-768x1024.jpg\" alt=\"\" class=\"wp-image-57774\" srcset=\"https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2026\/08\/img-20260827-wa01131887512059543250013-768x1024.jpg 768w, https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2026\/08\/img-20260827-wa01131887512059543250013-225x300.jpg 225w, https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2026\/08\/img-20260827-wa01131887512059543250013-1152x1536.jpg 1152w, https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2026\/08\/img-20260827-wa01131887512059543250013-1024x1365.jpg 1024w, https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2026\/08\/img-20260827-wa01131887512059543250013.jpg 1200w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><\/figure>\n\n\n\n<p>Ciudad de M\u00e9xico, 27 de agosto de 2026.- Durante su gira de trabajo por la Ciudad de M\u00e9xico, el Gobernador de Oaxaca, Salom\u00f3n Jara Cruz visit\u00f3 el Museo Tamayo Arte Contempor\u00e1neo para recorrer la exposici\u00f3n \u201cTamayo, Nieto, Toledo. Los a\u00f1os en Par\u00eds\u201d, dedicada a tres grandes artistas oaxaque\u00f1os que llevaron su talento y visi\u00f3n a escenarios internacionales.<\/p>\n\n\n\n<p>La muestra re\u00fane m\u00e1s de 100 obras de Rufino Tamayo, Rodolfo Nieto y Francisco Toledo, entre pintura, dibujo, gr\u00e1fica y collage, provenientes de 45 colecciones privadas e instituciones.<\/p>\n\n\n\n<p>A trav\u00e9s de estas piezas se aborda el periodo que los tres artistas vivieron en Par\u00eds durante la segunda mitad del siglo XX, donde transformaron sus pr\u00e1cticas y establecieron un di\u00e1logo entre la est\u00e9tica prehisp\u00e1nica y el arte popular con las vanguardias internacionales.<\/p>\n\n\n\n<p>El mandatario estatal destac\u00f3 que es un orgullo encontrarse, dentro y fuera de Oaxaca, con el talento, la historia y la identidad de la entidad, al tiempo que resalt\u00f3 que estos tres artistas son muestra de la grandeza cultural del estado y del legado que el pueblo oaxaque\u00f1o ha compartido con M\u00e9xico y el mundo.<\/p>\n\n\n\n<p>Bajo la curadur\u00eda de Juan Carlos Pereda, subdirector de Colecciones del Museo Tamayo, la exposici\u00f3n presenta por primera vez en M\u00e9xico piezas como La mujer temblorosa, de Tamayo; la serie Zoolog\u00eda mental, de Nieto; as\u00ed como La amazona y Compa\u00f1ero de viaje, de Toledo.<\/p>\n\n\n\n<p>\u201cTamayo, Nieto, Toledo. Los a\u00f1os en Par\u00eds\u201d permanecer\u00e1 abierta al p\u00fablico hasta el 15 de febrero de 2027 en el Museo Tamayo Arte Contempor\u00e1neo, ubicado en el Bosque de Chapultepec. La exposici\u00f3n muestra c\u00f3mo estos artistas dialogaron con las vanguardias internacionales y, al mismo tiempo, incorporaron a su obra elementos de la est\u00e9tica prehisp\u00e1nica y el arte popular.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u2022 Exposici\u00f3n \u201cTamayo, Nieto, Toledo. Los a\u00f1os en Par\u00eds\u201d, muestra que re\u00fane m\u00e1s de 100&#8230;<\/p>\n","protected":false},"author":4,"featured_media":57772,"comment_status":"","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[638],"jetpack_sharing_enabled":true,"featured_image_urls":{"full":["https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2026\/08\/IMG-20260827-WA0116.jpg",1600,1200,false],"thumbnail":["https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2026\/08\/IMG-20260827-WA0116-150x150.jpg",150,150,true],"medium":["https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2026\/08\/IMG-20260827-WA0116-300x225.jpg",300,225,true],"medium_large":["https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2026\/08\/IMG-20260827-WA0116-768x576.jpg",640,480,true],"large":["https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2026\/08\/IMG-20260827-WA0116-1024x768.jpg",640,480,true],"1536x1536":["https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2026\/08\/IMG-20260827-WA0116-1536x1152.jpg",1536,1152,true],"2048x2048":["https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2026\/08\/IMG-20260827-WA0116.jpg",1600,1200,false],"covernews-slider-full":["https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2026\/08\/IMG-20260827-WA0116-1115x715.jpg",1115,715,true],"covernews-slider-center":["https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2026\/08\/IMG-20260827-WA0116-800x500.jpg",800,500,true],"covernews-featured":["https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2026\/08\/IMG-20260827-WA0116-1024x768.jpg",1024,768,true],"covernews-medium":["https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2026\/08\/IMG-20260827-WA0116-540x340.jpg",540,340,true],"covernews-medium-square":["https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2026\/08\/IMG-20260827-WA0116-400x250.jpg",400,250,true]},"author_info":{"display_name":"Mario Gir\u00f3n","author_link":"https:\/\/contextoanalisisperiodistico.com\/index.php\/author\/director\/"},"category_info":"<a href=\"https:\/\/contextoanalisisperiodistico.com\/index.php\/category\/cultura\/\" rel=\"category tag\">Cultura<\/a>","tag_info":"Cultura","comment_count":"0","jetpack_featured_media_url":"https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2026\/08\/IMG-20260827-WA0116.jpg","_links":{"self":[{"href":"https:\/\/contextoanalisisperiodistico.com\/index.php\/wp-json\/wp\/v2\/posts\/57777"}],"collection":[{"href":"https:\/\/contextoanalisisperiodistico.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/contextoanalisisperiodistico.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/contextoanalisisperiodistico.com\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/contextoanalisisperiodistico.com\/index.php\/wp-json\/wp\/v2\/comments?post=57777"}],"version-history":[{"count":0,"href":"https:\/\/contextoanalisisperiodistico.com\/index.php\/wp-json\/wp\/v2\/posts\/57777\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/contextoanalisisperiodistico.com\/index.php\/wp-json\/wp\/v2\/media\/57772"}],"wp:attachment":[{"href":"https:\/\/contextoanalisisperiodistico.com\/index.php\/wp-json\/wp\/v2\/media?parent=57777"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/contextoanalisisperiodistico.com\/index.php\/wp-json\/wp\/v2\/categories?post=57777"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/contextoanalisisperiodistico.com\/index.php\/wp-json\/wp\/v2\/tags?post=57777"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}