{"id":47980,"date":"2025-11-10T13:56:30","date_gmt":"2025-11-10T19:56:30","guid":{"rendered":"https:\/\/contextoanalisisperiodistico.com\/index.php\/2025\/11\/10\/invita-seculta-a-la-viii-bienal-nacional-de-artes-graficas-shinzaburo-takeda-en-el-mupo\/"},"modified":"2025-11-10T13:56:30","modified_gmt":"2025-11-10T19:56:30","slug":"invita-seculta-a-la-viii-bienal-nacional-de-artes-graficas-shinzaburo-takeda-en-el-mupo","status":"publish","type":"post","link":"https:\/\/contextoanalisisperiodistico.com\/index.php\/2025\/11\/10\/invita-seculta-a-la-viii-bienal-nacional-de-artes-graficas-shinzaburo-takeda-en-el-mupo\/","title":{"rendered":"Invita Seculta a la VIII Bienal Nacional de Artes Gr\u00e1ficas \u201cShinzaburo Takeda\u201d en el Mupo"},"content":{"rendered":"<div id=\"fb-root\"><\/div>\n\n<p>\u2022 A partir de este mi\u00e9rcoles 12 de noviembre, se exponen 40 obras de grabado de M\u00e9xico y 10 de Italia, pa\u00eds invitado. Permanecer\u00e1 abierta hasta diciembre de 2025<br \/>Oaxaca de Ju\u00e1rez, Oax. 10 de noviembre de 2025.\u2013 La Secretar\u00eda de las Culturas y Artes de Oaxaca (Seculta) invita al p\u00fablico a la inauguraci\u00f3n y premiaci\u00f3n de la VIII Bienal Nacional de Artes Gr\u00e1ficas Shinzaburo Takeda, que se realizar\u00e1 este mi\u00e9rcoles 12 de noviembre, a las 17:00 horas, en el Museo de los Pintores Oaxaque\u00f1os (Mupo).<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"640\" height=\"800\" src=\"https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2025\/11\/img-20251110-wa00546271865425264961262.jpg\" alt=\"\" class=\"wp-image-47979\" srcset=\"https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2025\/11\/img-20251110-wa00546271865425264961262.jpg 640w, https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2025\/11\/img-20251110-wa00546271865425264961262-240x300.jpg 240w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/figure>\n\n\n\n<p>La exposici\u00f3n re\u00fane 40 obras de artistas mexicanas y mexicanos, as\u00ed como 10 piezas de creadoras italianas, pa\u00eds invitado en esta edici\u00f3n. Desde 2008, el Mupo ha sido la sede de este certamen, consolid\u00e1ndose como un espacio clave para el grabado contempor\u00e1neo del pa\u00eds.<\/p>\n\n\n\n<p>Para esta edici\u00f3n participaron 313 artistas con 443 obras provenientes de 15 estados. Entre las y los ganadores destacan Gibr\u00e1n Jalil Mendoza V\u00e1squez, Mar\u00eda del Mar Beianiab Gasca Madrigal, Gerardo Joushimart Morales Pablo, Ram\u00f3n Garc\u00eda Verduzco, Mariana Beatriz Guzm\u00e1n Victoria y Andrea Guadalupe \u00c1lvarez Torrencial, esta \u00faltima reconocida con el Premio Joven Mujer Artista.<\/p>\n\n\n\n<p>Por parte de Italia exhiben su trabajo: Riccardo Bucella, Magda Di Fraia, Paola Lucrezi, Michela Mascarucci, Marco Poma, Fabio Riaudo, Walter Rindone, Daniela Sobetchi, Massimo Spadari y Marco Trentin; cuyas obras complementan el di\u00e1logo est\u00e9tico y cultural entre ambas naciones.<\/p>\n\n\n\n<p>Con el respaldo del Gobierno del Estado, la Fundaci\u00f3n Takedarte y la Universidad Aut\u00f3noma Benito Ju\u00e1rez de Oaxaca (UABJO), la muestra permanecer\u00e1 abierta al p\u00fablico en el Mupo hasta diciembre de 2025.<\/p>\n\n\n\n<p>-0-<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u2022 A partir de este mi\u00e9rcoles 12 de noviembre, se exponen 40 obras de grabado&#8230;<\/p>\n","protected":false},"author":4,"featured_media":47978,"comment_status":"","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[335],"jetpack_sharing_enabled":true,"featured_image_urls":{"full":["https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2025\/11\/IMG-20251110-WA0055.jpg",641,800,false],"thumbnail":["https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2025\/11\/IMG-20251110-WA0055-150x150.jpg",150,150,true],"medium":["https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2025\/11\/IMG-20251110-WA0055-240x300.jpg",240,300,true],"medium_large":["https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2025\/11\/IMG-20251110-WA0055.jpg",640,799,false],"large":["https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2025\/11\/IMG-20251110-WA0055.jpg",640,799,false],"1536x1536":["https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2025\/11\/IMG-20251110-WA0055.jpg",641,800,false],"2048x2048":["https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2025\/11\/IMG-20251110-WA0055.jpg",641,800,false],"covernews-slider-full":["https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2025\/11\/IMG-20251110-WA0055-641x715.jpg",641,715,true],"covernews-slider-center":["https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2025\/11\/IMG-20251110-WA0055-641x500.jpg",641,500,true],"covernews-featured":["https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2025\/11\/IMG-20251110-WA0055.jpg",641,800,false],"covernews-medium":["https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2025\/11\/IMG-20251110-WA0055-540x340.jpg",540,340,true],"covernews-medium-square":["https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2025\/11\/IMG-20251110-WA0055-400x250.jpg",400,250,true]},"author_info":{"display_name":"Mario Gir\u00f3n","author_link":"https:\/\/contextoanalisisperiodistico.com\/index.php\/author\/director\/"},"category_info":"<a href=\"https:\/\/contextoanalisisperiodistico.com\/index.php\/category\/cultura\/\" rel=\"category tag\">Cultura<\/a>","tag_info":"Cultura","comment_count":"0","jetpack_featured_media_url":"https:\/\/contextoanalisisperiodistico.com\/wp-content\/uploads\/2025\/11\/IMG-20251110-WA0055.jpg","_links":{"self":[{"href":"https:\/\/contextoanalisisperiodistico.com\/index.php\/wp-json\/wp\/v2\/posts\/47980"}],"collection":[{"href":"https:\/\/contextoanalisisperiodistico.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/contextoanalisisperiodistico.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/contextoanalisisperiodistico.com\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/contextoanalisisperiodistico.com\/index.php\/wp-json\/wp\/v2\/comments?post=47980"}],"version-history":[{"count":0,"href":"https:\/\/contextoanalisisperiodistico.com\/index.php\/wp-json\/wp\/v2\/posts\/47980\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/contextoanalisisperiodistico.com\/index.php\/wp-json\/wp\/v2\/media\/47978"}],"wp:attachment":[{"href":"https:\/\/contextoanalisisperiodistico.com\/index.php\/wp-json\/wp\/v2\/media?parent=47980"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/contextoanalisisperiodistico.com\/index.php\/wp-json\/wp\/v2\/categories?post=47980"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/contextoanalisisperiodistico.com\/index.php\/wp-json\/wp\/v2\/tags?post=47980"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}